正片
萨乐美
莎乐美Salome
影片信息
7.7
9次评分扫一扫用手机访问
剧情简介
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
为你推荐
换一换- 4.4高清版刘牧,江疏影,周大勇,陈姝
- 6.4高清版小凯文·哈里森,约翰·大卫·华盛顿,詹妮弗·艾莉,亚历桑德罗·埃尔南德斯,杰弗里·怀特,贾雷尔·杰罗姆,米奇·麦迪森,蒂姆·布雷克·尼尔森,詹妮弗·哈德森,保罗·本-维克托,拉维·西蒙尼,约翰尼·科瓦内,道林·米西克,Adriana DeGirolami,威利·C·卡彭特,纳西尔·琼斯,Rakim Mayers,Rege Lewis,Kelvin Hale,Jeremy Dash,June Ballinger,乔尔·范·刘
- 0.0高清版Cloe Barretto,Jason Abalos,Marco Gómez,钱达·罗梅罗,Christine Bermas,Jim Pebanco,Jess Evardone,Quinn Carrillo,Karl Aquino,Angelica Cervantes,Lotlot De Leon
- 0.0高清版Nathalia Ramos, Cody Longo, Alex Steele
- 6.7高清版佐藤健,铃木亮平,松冈茉优,田中裕子,音尾琢真,筒井真理子,浅利阳介,韩英惠,Megumi,大悟,佐佐木藏之介,井上肇,桑原裕子,池田优斗
- 7.2高清版郑裕玲,冯宝宝,夏文汐,任达华,陈加玲,陈奕诗,鲁芬,玛利亚,黄光亮,关明玉,梁韵蕊,谢月美,谭倩红,顾嘉玲,陈凤芝,夏志珍
- 8.3高清版有村架纯,伊藤淳史,吉田羊,田中哲司,野村周平,安田显,阿部菜渚美,中村靖日,矢岛健一,峰村理惠
- 6.1高清版大泉洋,安藤裕子,染谷将太,田口智朗,前野朋哉,镰田小惠子,古关安广,小关裕太,内川蓮生,高嶋琴羽,大杉涟,江波杏子
- 0.0高清版
- 0.0高清版海伦娜·伊格涅兹,保罗·宙斯,马里奥·拉戈,Fauzi Arap,Rosa Sandrini
- 7.5高清版梁家辉,秦海璐
- 7.4高清版大森南朋,松岛菜菜子,北乃绮,中尾彬,内野圣阳,高畑淳子,堀内敬子,篠田麻里子,生濑胜久,小仓智昭,芦田爱菜
- 0.0高清版罗锐,陈山,王圻生,李蕙芸,张纪平,阎璋,彭金万,孙荣志
- 0.0高清版
- 6.0高清版摩根·塞勒,贾斯汀·巴萨,克里斯·诺斯,拉尔夫·罗德里格斯,西莉亚·奥
- 8.1高清版Tomer Steinhof,罗妮特·尤科维兹,Shai Avivi
- 0.0高清版陈昊宇,彦希,朱圣祎,吴彦姝,张铁林,郑罗茜
- 7.7高清版Vesta Burkot,Konstantin Tkachenko,Alexey Novikov
- 0.0高清版陈道明,陈宝国,朱亚文,田雨,隋俊波,王鸥,聂远,孙怡,张若昀
- 8.1高清版夏洛特·兰普林,阿兰·贝茨,凯特琳·卡特利吉,欧文·蒂尔,塔什卡·伯根,山德·贝克利,杰拉德·巴特勒,安德鲁·霍华德,梅兰妮·林斯基,伊恩·麦克尼奇,弗朗西斯·德·拉·图瓦,迈克尔·高夫,Simeon Victorov,伊扎克·芬齐
- 7.1高清版邓萃雯,郑少秋,唐文龙
- 0.0高清版雷吉娜·金,兰斯·莱迪克,泰伦斯·霍华德,W·厄尔·布朗,卢卡斯·赫奇斯,阿米拉·万恩,安德烈·霍兰,道林·米西克
- 7.4高清版林心如,高英轩,黄怀晨,戴君竹
- 6.9高清版萨尔玛·海耶克,杰拉丁·卓别林
- 0.0高清版李麦克,李敏郎,马场
- 0.0高清版徐守莉,金鑫,郭怡,刘志强,王科,井永录,文仁广,冯学程,刘英梅,王智飞,施展展
- 3.4高清版徐冬冬,张锦程,伍允龙,黎彼得,黄文慧,文凯玲,叶项明,吴毅将,郑子诚,任娇,王馨瑶,韩昕怡,王俊棠,李成昌,何华超,黄文标,赵永洪,余世腾
- 7.1高清版黄珮琪,朱羿铭,高伊玲,蓝苇华,张凯喆,郑有杰
- 0.0高清版劳拉·贾姆瑟,莫妮卡·赞基,加布里埃莱·丁蒂
- 8.3高清版穆扎菲·奥德默,伊敏·托普拉克,歇沃·简恩瑟,娜赞·克萨尔,弗里敦考克,法特玛·锡兰,埃布鲁·锡兰,诺海尔琛瑟勒,纳兹莉艾顿,埃根派瑟夫,厄康·吉赛尔,阿斯力奥尔亨,艾哈迈德比尤盖恩,艾瑞福阿西,萨摩迪阿斯,艾哈迈德奥哉奥莱特,埃尔汗奥索维,哈坎库腾,艾恩恩戈尔索
评论
共 条评论
游客2023-04-14Rambovas exotic reverie dominated the surrealistic world never faded.- 游客2023-04-144。Salomé Salomé dance for me so shit dance nimeia
- 游客2023-04-14一股cult味，风格很比亚兹莱！服装设计是兰博娃小姐~~（又在默片看到侏儒症患者充当小丑……不是滋味）
- 游客2023-04-14那种cult味还真有点意思
- 游客2023-04-14Salomé (1923) a silent film directed by Charles Bryant and starring Alla Nazimova is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here as in Wilde's play called Jokaanan) at the request of his stepdaughter Salomé whom he lusts after. Salomé is oft...