• 观看记录
    视频
    视频
    取消
    全部
    正片

    面具背后的脸

    The Face Behind the Mask

    影片信息

    正片
    • 片名：面具背后的脸
    • 状态：高清版
    • 导演：罗伯特·弗洛里
    • 主演：彼得·洛 伊夫林·凯耶斯 唐·贝多 乔治·E·斯通
    • 年份：1941
    • 地区：美国
    • 类型：爱情片剧情,爱情,犯罪,黑色电影
    • 时长：69
    • 上映：1940-12-31
    • 语言：英语
    • 更新：2022-03-17 11:03:23
    • 简介：THE FACE BEHIND THE MASK, while generally regarded as a horror film, is not a pure example of the genre, and that is the very crux of its interest. Rather, it addresses topics outside the expected parameters of horror, and in offering an un..
    1941/美国/爱情片剧情,爱情,犯罪,黑色电影/英语/

    • 扫一扫用手机访问

     立即播放
    0.0
    8次评分
    0.0
    8次评分

    扫一扫用手机访问

    首页爱情片面具背后的脸

    播放列表

     倒序

    剧情简介

    　　THE FACE BEHIND THE MASK, while generally regarded as a horror film, is not a pure example of the genre, and that is the very crux of its interest. Rather, it addresses topics outside the expected parameters of horror, and in offering an uncompromising view of human anguish, THE FACE BEHIND THE MASK is a truly unusual picture in both content and treatment. THE FACE BEHIND THE MASK relates how a hopeful new immigrant, Janos Szaby (Peter Lorre), arriving in New York City, is trapped in a hotel fire that leaves his face hideously scarred. Ostracized and refused employment although still able to work, the only way he can survive is by turning to theft. Hence, THE FACE BEHIND THE MASK is also a social consciousness film, detailing the position of the outcast and particularly the handicapped in society, along with crime and its causes, and the American immigrant milieu. All of these themes are treated with sympathy and taste, avoiding the gruesome potential of the premise. The only people who are kind to Janos are a tubercular small-time thief, Dinky (George E. Stone) and a blind woman, Helen (Evelyn Keyes). Janos falls in love with Helen as her soul sees the goodness within him, but the gang refuses to let Janos quit the rackets and kills her. This leads to a memorable denouement where Janos has suicidal revenge by flying the gang to the desert and marooning them all amid the sandy wastes, where he can watch their dying torment. The actual screenwriter of THE FACE BEHIND THE MASK gives a clue as to its intent: although the writing credit on screen was given to two men, Allen Vincent and Paul Jarrico (from a story by Arthur Levinson, based on a radio play by Thomas Edward O'Connell) the scripts indicate the picture was in fact written by Irmegard Von Cube, who explored similar themes in JOHNNY BELINDA (1948). Appropriately, the style also deemphasizes the horror elements, with a naturalized version of director Robert Florey's expressionistic tendencies, as in the waterfront scene when Janos and Dinky first meet. The abstract acting required by the mask, together with Lorre's costume, themselves become expressionistic devices. Moments of high tension are appropriately punctuated by director Florey's typical angled shots, as when Janos first sees his face after the bandages are removed, or when he tries to rescue Helen from the gang's car bomb. THE FACE BEHIND THE MASK was dependent on a strong and capable performance in the lead, and Lorre proved ideal in one of his best roles. He not only had to portray a man disintegrating under a terrible fate, but also had to exercise incredible control over his facial muscles, allowing him to only express emotion through his eyes in close-ups. Lorre simulated a mask where there was none, and the effect is achieved by white powder and two pieces of tape placed on his face, contrasted with his costume of black jacket and scarf, and enhanced through lighting. This was all the more remarkable in that Lorre was uncomfortable with the fast schedule and began his drinking with a straight Pernod for breakfast, so that by the afternoon he had became undirectable. As a result, Florey had to try and juggle the schedule so as to get all of the star's primary scenes in the morning. In the supporting roles, Stone and Keyes were equally memorable, as were the character actors in the remaining roles, together demonstrating the possibilities for fine acting despite the pressures of a two week shooting schedule. This was the fourth time Florey had dealt with an unusual theme, the effect of facial mutilation on men's lives, also depicted in his FACE VALUE (1927), THE FLORENTINE DAGGER (1935), THE PREVIEW MURDER MYSTERY (1935), and later in his television episode ALFRED HITCHCOCK PRESENTS: WHERE BEAUTY LIES (1961). Florey was engaged by Columbia in late 1940 on a deal for three so-called action pictures, movies made on low budgets in twelve days. The first two, THE FACE BEHIND THE MASK and MEET BOSTON BLACKIE (first in the series), took two months to prepare--Florey was able to revise the script of THE FACE BEHIND THE MASK and write the continuity--and were shot back-to-back. Such a hasty schedule was especially difficult for a picture that required extensive location shooting. The cameraman was the talented Franz Planer, lately arrived from Germany, and still unaccustomed to working at the Hollywood pace, requiring that many shots be sacrificed because of the time lost in lighting. Today, Florey is best remembered for his other work in the horror genre, including coauthoring the script of the original FRANKENSTEIN (1931), writing and directing MURDERS IN THE RUE MORGUE (1932), and directing a later Peter Lorre classic, THE BEAST WITH FIVE FINGERS (1946). Florey was a key figure in adapting the German expressionism and other European styles into Hollywood film-making before the cycle of film noir, and THE FACE BEHIND THE MASK reflects an ideal mid-point, both using such techniques but also adjusting them to the needs of a genre-driven industry. Despite its modest origins, THE FACE BEHIND THE MASK is widely acknowledged to be among the greatest B films ever made, and one of the few to offer profundity and depth in theme and characterization, as well as artistry in its writing, direction, and acting. While containing elements of several genres--horror, social consciousness, gangster, and romance--the film transcends all of them. THE FACE BEHIND THE MASK won favor from both critics and audiences, and a small following in its time that has grown in the intervening years, an exceptional record of success for a movie made so inexpensively. The film remained in continuous showing for two years after it was released in 1941, and was later theatrically reissued on numerous occasions, as late as 1955, before it began to be shown on television.

    为你推荐

     换一换
    • 0.0
      高清版
      不及格：留宿派对
      Madelyn Sheahan,Georgia Crisfield Smith,Holly Monks,Liv Rian,Emily Mutimer,Caylen Forbes
    • 6.9
      高清版
      肉体的恶魔
      米切林内·普雷斯利,热拉尔·菲利普,丹尼丝·格雷,让·德比古,帕洛,让·拉腊,米歇尔·弗朗索瓦,里夏尔·弗朗克尔,马克斯·马克苏迪安,热尔梅娜·勒杜瓦扬,让娜·佩雷,雅克·塔蒂,埃德蒙·博尚,夏尔·维西埃
    • 0.0
      高清版
      潘金莲之花弄月
      An-Ni Chang,Wei-Ya Chao,Shu-Hua Chen,Wen-Shi Chen,Ching Ching,Hsia-Hsin Chiu,Kuo-Tung Chou,Yun-Kai Fan,Kuan-Tien Feng,Min Ho,黄冠雄,Ya-Ching Huang,Wan-Chung Lai,Yi-Ju Lai,Fo-Yu Lam,梁琛荣,莫少琳,沈威,唐川,万重山,王铵,吴碧莲
    • 0.0
      高清版
      金莲花
      克劳黛·考尔白,弗莱德·麦克莫瑞,雷·米兰德
    • 0.0
      高清版
      爱的印记
      赛克赛特·唐通,索芘娜帕·崇帕尼,米莉亚·贝内戴缇,班娜娃·黑玛尼,Singto Saharat Hiranthanapuwadol,帕查彤·塔那瓦,莎高彩·朋莎瓦德
    • 6.6
      高清版
      安娜的情人
      玛莉亚.嘉西亚.古欣娜塔,里扎.里斯托夫斯基
    • 6.3
      高清版
      情迷假期
      文森特·卡索,弗朗索瓦·克鲁塞,萝拉·兰,爱丽丝·伊萨,卢卡·梅利瓦,诺米·梅兰特,罗曼·阿皮保穆,菲利普·纳翁,安尼塞·赫斯梅
    • 8.1
      高清版
      家
      魏鹤龄,蒋锐,程之,戴耘,马骥,章非,张瑞芳,宣景琳,范雪朋,王丹凤,谢怡冰,傅惠珍,韩涛,阳华,狄梵,孙道临,张辉,胡小菡,黄宗英,于明德,郑敏,朱莎,张子良
    • 7.4
      高清版
      我爱厨房
      陈小春,罗家英,富田靖子,莫文蔚
    • 7.2
      高清版
      美味关系
      马蒂娜·格德克,赛尔乔·卡斯特利托,卡特加·斯图特
    • 0.0
      高清版
      阳山道
      金三和,曹墉守,朴严,金胜镐,高善愛
    • 0.0
      高清版
      他是龙2
      马特维·雷科夫
    • 7.1
      高清版
      兄弟情人
      朱莉娅·莱莫兹,法比欧·阿孙桑,吉安·皮埃尔·诺厄尔,露易丝·卡尔多索,卢卡斯·考特林,加布里埃尔·卡乌夫曼,拉菲尔·卡多索,若昂·加布里埃尔·瓦思康赛罗斯,Mausi Martínez,Fernanda Félix,爱德华多·库蒂尼奥,Aloísio de Abreu,Diego Veiga,Bruno Dubeaux,Flávia Milioni
    • 0.0
      高清版
      九尾藏不住
    • 7.2
      高清版
      宛如天堂
      瑞茜·威瑟斯彭,马克·鲁弗洛,唐纳尔·罗格,迪娜·沃特斯,本·申克曼,乔恩·海德,伊万娜·米利塞维奇,卡罗琳·阿隆,赵家玲,罗恩·坎纳达,威利·加森,Gabrielle Made,William Caploe,Shulie Cowen,比利·贝克,Cristian Cruz,凯萨琳·塔柏,凯瑞斯·多西,艾莉西亚·沙菲尔,保罗·卡塞尔,雷蒙德·奥康纳,宋静秀,乔尔·麦金农·米勒,罗娜·斯科特,杰夫·马库斯,肯·竹本,Jacob Chambers,李伯恩,阿米塔·巴拉,提姆·康纳利,肯·克拉克,Michael
    • 8.1
      高清版
      与女人们的对话
      艾伦·艾克哈特,海伦娜·伯翰·卡特,Yury Tsykun,布莱恩·格拉格提,布兰娜·布朗,托马斯·列农,Erik Eidem,诺拉·泽特纳,大卫·富兰克林,奥利维亚·王尔德,席瑞娜·文森,Noah Abrams,威尔·卡特,麦蒂森·达文波特
    • 9.3
      高清版
      乱世佳人
      费雯·丽,克拉克·盖博,奥利维娅·德哈维兰,托马斯·米切尔,芭芭拉·欧内尔,伊夫林·凯耶斯,安·卢瑟福德,乔治·里弗斯,弗莱德·克莱恩,海蒂·麦克丹尼尔斯,奥斯卡·波尔克,巴特弗莱·麦昆,维克托·乔里,埃弗雷特·布朗,霍华德·C·希克曼,艾丽西亚·瑞特,莱斯利·霍华德,兰德·布鲁克斯,卡洛尔·奈,劳拉·霍普·克鲁斯,埃迪·安德森,哈里·达文波特,利昂娜·罗伯特,简·达威尔,欧娜·满森,保罗·赫斯特,伊莎贝尔·朱尔,卡米·金·肯伦,艾瑞克·林登,J·M·克里根,沃德·邦德,莉莲·肯布尔-库珀
    • 6.8
      高清版
      七个雀斑
      Kareen Schröter,Harald Rathmann,Christa Löser
    • 5.2
      高清版
      第三种爱情
      刘亦菲,宋承宪,欧弟,江语晨,孟佳
    • 0.0
      高清版
      乡村生活
      山姆·尼尔,格列塔·斯卡奇,约翰·哈格里夫斯,凯瑞·福克斯,Michael Blakemore
       换一换

      爱情片排行榜

      更多